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Park mill, Gaskell street, Bolton. Demolished around 1981.

Acrylic on boxed canvas, painted all round. 12x14 inches. £85 The decline of the cotton industry saw many mills being pulled d...

Wednesday, 25 May 2011

Water of Life...


Water of life...
Oil on canvas :- 20x24
£250

From my earliest recollections, I remember my mother, always having a drink in her hand. What its contents were, would not be revealed to my virgin mind until I was old enough to understand. What I do understand is that it lead to some bizarre rituals. Like chanting to herself, shouting out obscenities, in fact terrifying us all into quiet, unemotional wrecked children. You didn't dare make eye contact with her because if you did, you would become the focus of her mad, incoherent rage. She would force you to sit on her knee and make you kiss her, quite sexualized in manner. If you got it wrong, she would practice on you until you got it right. You would have to tell her how much you loved her, what you wanted to do with her body, kiss her. You had all the other children's eyes on you, making you shrink inside. Drop to the bottom of the deepest ocean to escape. But she soon brought you back to reality with a slap. She might even bite your lip, face or ear. She would ask why you were pulling away. Scream vulgar words of hatred. Hit you hard. Then toss you to one side like you were unworthy of her sexualized deprivation. You were scum. Until next time, or she picked on one of the others...and that brought new fears...

Tuesday, 24 May 2011

Breakfast!. Best meal of the day.




Acrylic on boxed canvas painted all round
Oil on canvas:-20x24
£195.

This is one of a series I'm going to paint from memories of childhood. I have chosen to paint them as  negative images like those from an old camera. I have added colour from memory to give them a bit of reality and clarity from the gloom surrounding us. I have carried this around with me for so long, I feel I will never unshackle the pain. I have talked about my childhood with great difficulty. It often ended with me getting really angry, very uptight with everyone around me and also very emotional. In the picture, we see lots of children. I'm 1 0f 9. We are all 12 to 13 months apart. To say it was chaotic is an understatement. To say it was highly charged is like saying a candle is the same as a spotlight. Represented by the children, you may notice they are all scrawny, is the deprivation, squalor and hunger that surrounds them. In stark contrast, you will notice my mother, glass of port in hand, with a cigarette in the other, and lots of wine in the background to show her disregard for our upbringing. Fit and healthy, meat on her bones, compared to our skeletal frames. Even the dog was fed better; incidentally by me. We often shared a bowl of dried cereal, that's if there was any left. My eldest sister was on hand to look after herself. Please discuss...

Friday, 6 May 2011

Where emotions collide.

Childhood dreams. An emotional train wreck knocks at the door. Inside, a tiny entity holds on to his inner beauty. Rattling and bellowing the train keeps on coming. The door holds for now so the dream keeps soothing. Inside the station the boy looks at peace, secure from the wreckage, falling at his feet. Tears suppress hatred, fear overrides pleasure, as one last surge envelopes his destiny forever. Emotions are lost in a swirl of lust, as harrowing cries plead she just needs love. Crawling from her bottle, a mother drowns his dreams for her lust turns to anger as it satisfied her needs. Now his destiny is trapped within this shrine, he knows not how to break from the station walls. He sees the passengers but there all free. He sees plenty of trains but none are going his way. He sits and waits but everyone goes by. Growing lonely each day and night. Something stirs, its a creative scheme, paint my memories for all to see!. Smiles and happiness allow him to stand, the colours of his palette lie in his hands. Holding on tight, he knows what to do, but anger suppresses, the feeling turns blue. The barriers come down as emotions run high. Locked in his prison or self made shrine. On and on the train wreck comes. Love knows no barrier when your young. On and on his dreams take hold as an angry adult slowly unfolds...

 

Sunday, 1 May 2011

Silent Sentinel's


Grand Opening 
£155 


Silent Sentinel's
Oil on canvas: 24x24
£155




Thursday, 17 March 2011

Artwork iii

This collection has a predominant green theme, for obvious reasons. Check the date!. I was given a birthday present one year, a water colour challenge magazine to be correct. You had a section delivered once a month, with a new challenge to complete. These next 5 pictures are a reflection of what I thought I had been learning. If that makes sense!?. I completed the challenge, the tips, the techniques, then applied them to my own work. I'm still a little heavy on the colours but over time, I think that is what will make me unique. We will have to see. Thanks all.



Title:- Good morning hun!.
Oil on canvas sheet. 12x 14.
£175


Title:- Shut the gate!. 
Watercolour on 150 gms paper. 16x14
£175


Title:- A fisherman's friend.
Watercolour on 159 grms paper. 16x14
£175


Title:- Father and son. Entwistle reservoir, Bolton.
Watercolour on 150 grms paper. 16x14
£175


Title:- Time for a dip...?
Oil on canvas. 16x18.
£225

Wednesday, 16 March 2011

My artwork. ii

Traditionally, new artists benefit from an abundance of local subjects, like mills, houses, pubs, local people, cultures, with the injection of enthusiasm for painting them, or at least capturing some form of image. I grew up in an area that had been built in the 1950's. A new ring road that by passed the town center. 

The property was to small for our growing family, forcing us to move to a newly built, 4 bedroom house, nearer to the town center but without the old pre-war housing stock. Although lots of these houses remained, the majority stood empty, lifeless, derelict. The same could be said for the mills. Just from my house alone, the horizon was filled with these monoliths of industry. Former glorious stalwarts of the Victorian era. At least 15 could be seen in any one direction from my door and turning clockwise. But sadly, they too would be pulled down with the rest of this area, to make way for slightly more contemporary housing, with little gardens and driveways. 

Very different from the rows of terraced houses and small back street yards I had first witnessed at 13. This is where my story of art began to take shape. This selection is reproduced from photographs I took as a teen, when all my friends played football on the community center, school grounds or local park. I replaced the black & white images with colour from some of my first watercolour box sets. Although with tentative brush-strokes, exaggeration of colour, I feel I captured the images as lifelike as possible.  



Title:- The goalposts. Vernon street, Bolton. (area demolished) 
Watercolour on 150gsm cartridge paper. 16x12
£275


Title:- Crumpsall Street Mill. Bolton. (demolished) 
Watercolour on 150gsm cartridge paper. 16x12
£275 


Title:- November storm from my bedroom. 
Clyde mill just in the background. Nottingham drive, Halliwell, Bolton. 
Watercolour on 150 gsm cartridge paper. 16x12.
£195


Title:- Bradshaw Brow, Bolton. (without the modern amenities!) 
Pen & Ink drawing. 16x12.
£125


Title:- West Point Peperil mill, Union road, Bolton. (demolished) 
Pen & Ink drawing. 16x12. 
£125


Title:- Bolton Power Station, under demolition. 
Pen & Ink drawing. 9x11.
£95


Title:- View from Crowthorn Residential school.
Watercolour on 90 gsm paper. 9x11
£105


Monday, 14 March 2011

My artwork.

More artwork for the interested blogger. Notice the strong colours. It's because I'm colour blind believe it or not. I have to emphasise them, or use sharp contrasts so I can see my work. Black & white was good for a while, quite easy really, though I needed to expand and become more interesting. My early work included using yellows through to reds, with dark colours to add depth. I completely switch off from the world around me when I paint. And when I step back, I'd think wow!, I did that?. Though not everyone will show that emotional connection. If I don't like an artwork for whatever reason, everyone usually does!. Please enjoy.

Title:- Future Trends. 
Oil on canvas sheet. 16x22.
£225.

Title:- The Human Factor. 
Oil on canvas sheet. 16x22.
£225

Title:- Sunset on distant world. 
Oil on canvas board. 11x14.
£95

Title:- Nano-Plantology.
 Oil on 120grms paper. 13x15.
£125

Title:- Future killer. The cub, front left, kills his keeper in 17 years time from the photo, taken at Howlett zoo, Kent. 
Oil on canvas paper. 12x14. 
£355
Title:- Winter falls on Arizona. 
Oil on canvas board. 13x15.
£125

Title:- Autumn abstracts. 
Acrylic on canvas board. 14x16.
£195

Title:- Campfire songs & cider. 
Oils on canvas paper. 14x16.
£225 (priceless!)

Title:- Fall from Autumn. 
Oils on canvas board. 18x22.
£355

Title:- Fish Farming. 
Watercolour on 120/grms paper. 14x16.
£155